Hi Hi Hi! It’s Phoebe here. It’s been so long, I know, did you miss me? We wanted to wait til after the holidays to round up the best of the local literary scene and now we have eaten all the brie and there are so many good writerly happenings afoot to attend! We will do them all! We are leaning in to 2019! Actually, we are so tired, we are mostly falling over, but the love of the written word sustains us, does it not? (Love of the written word, and brie - life sustainers.)

But first we need to discuss what to read right now. This is the transitional part, like when Mr. Rogers changes his shoes and cardigan. (Why, oh why, won’t he ever pick the red one?)

So… I’m currently reading “The Mastery of Love” by Don Miguel Ruiz, which is threatening to turn me into the woman with too many rings on who can’t shut up about the amazingly transformational book she is reading. Also I just ate up the delicious entirety of the new memoir “She Wants It” by Jill Soloway, the creator of “Transparent,” and I highly recommend. Still working on “Warlight” by Michael Ondaatje.

I also asked around for recs. Kristen Holt-Browning, writer and editor and co-producer of Get Lit, just finished reading “Northwood” by Maryse Meijer, a sort of novella-in-poems. She says it's a dark, twisty, fairytale-ish story of desire and obsession and also a physically gorgeous object, with white text printed on black pages. Sounds fierce.

Extremely well-published and well-coifed writer Lily Burana is reading “Thick” by Kiese Laymon, and “How to Write an Autobiographical Novel” by Alexander Chee. She’s happily frolicking in the bumper crop of essay collections that have been published in the past few years.

Ok. I’m ready now. Let’s lean/fall/dive/plunge/bellyflop on in.

January 2019 Writerly Happenings

This Weekend!

The Artichoke at the Howland. Saturday, January 12, 7:30 pm, is sold out online, but not sure if there will be additional tickets at the door. Mentioning here anyway because it is just so cool that this is coming to Beacon. It’s an evening of live storytelling by The Artichoke, hosted by Drew Prochaska and featuring Sandi Marx (seven-time Grand Slam Winner, The Moth), Jeff Simmermon (Grand Slam Winner, The Moth; This American Life), Drew Prochaska (Risk!; Story Collider), Richard Cardillo (Risk!; Stories from the Stage, Susan Kent (The Moth), Micaela Blei (Grand Slam Winner, The Moth), Vanessa Golenia (Risk!) and John Blesso. Can’t get in? Well there’s another chance to do something similar on Sunday the 20th, but you must read on.

Also on Second Saturday is a book release event for Traffic Street Press’ "Trafficking in Poetry" series. The book "Manos Sucias/Dirty Hands" is a collaboration between Paulette Myers-Rich, the visual artist Greg Slick and poet Seán Monagle. A limited number of copies are available for purchase at the book signing at No.3 Reading Room & Photo Book Works on Main Street from 3 to 8 pm.

Get Lit is happening this Sunday, January 13, from 5 to 8 pm at Oak Vino. The featured speakers will be authors Jessie Chaffee and Brendan Kiely, and as always, anyone who wants to read is invited to sign up to do so at the beginning of the event - bring two or three pages of original writing to share. But also if you are new to writing, or sharing your writing, you answer the monthly prompt about what your New Year’s resolutions are, and then sign up for a one-minute slot. Literally, it’s just a hot minute.

Also In January!

On Sunday, January 20 at Dogwood at 5 pm, John Blesso will be hosting the first installment of “Adult Stories,” a new and developing monthly storytelling series that intends to be like The Moth, but edgier. He’s looking for people willing to share “funny stories, harrowing stories, sex stories, emotionally charged stories, and inebriation/bad-choice stories.” If you’re interested please send him pitches for stories between six and ten minutes long! He’s working with Donna Minkowitz and Drew Prochaska on this, if you miss The Artichoke, or just want more storytelling. All the stories!

What’s that about local memoir writer Donna Minkowitz? Funky Spunky Literature Night (Redux) is a game-show-like Community Memoir Write-a-Thon with prizes for the best sentences and scenes that audience members write about their own lives. She will be joined by professional storyteller Lorraine Hartin-Gelardi at Quinn’s on Wednesday, January 30, from 7:30 to 9:30 pm. She’s also got an 8-Week Memoir-Writing Workshop coming up, focused on craft, particularly on using the five senses, lyricism, emotion, storytelling, and critical insight to create profound and relatable works of memoir. Wednesday nights from February 6 through March 27, 7 to 9 pm. To apply, please email minkowitz46@gmail.com with a one-page writing sample.

Poet and teacher extraordinaire Ruth Danon (to whom I’m a bit partial, not going to even pretend otherwise) is going to start writing improvisation classes the week of January 29. Currently she’s planning on Tuesdays, from 9:30 am to 12 pm and 7 to 9:30 pm, but the time can be flexible based on everyone’s schedules… The fee is $275 for eight weeks and includes a private conference (at least one) and a public reading. Contact ruthdanonpoetry@gmail.com for more information.

Beacon’s magnificent Binnacle Books is featuring “The Great Believers” by Rebecca Makkai for its next book club. I loved that book. So, so much sobbing. This month the book club will meet at the bookstore, but often is at Dennings Point Distillery.

And just downstream (or not, as our majestic and tidal Hudson River flows both ways) in Cold Spring, Split Rock books has a million events, or at least five, to get you through January and smarter on the other end.

The divine “Out Stealing Horses” by Per Petterson was the January book club choice at the Beacon Library, and we were sad to miss it, but the pick for February is “The Curious Charms of Arthur Pepper” by Phaedra Patrick and it sounds charming. The Butterfield Library in Cold Spring has a writing workshop with Susan Wallach in January and almost always a box of free books to rummage.

As always, we want to big up independent bookstores that may be a bit farther afield:

Rough Draft in Kingston has happy hours, sip and writes and plenty of other happenings; the Golden Notebook in Woodstock has a terrific event lineup, as usual; and we are wanting to go check out Oblong Books which has somehow escaped our research until now. We’ll report back next month.

Now dear reader, go put on a cardigan and some fresh slippers and get to it. Write! Read! Make it happen!

November’s Second Saturday was as exciting as ever, with new works being hung around town and exhibitions opening in galleries and unusual places. This Second Saturday, I wrote in my calendar specifically (as opposed to falling into the serendipitous approach of going where the wind or free bus will take me) to go to Stanley Lindwasser’s opening of his 2018 collection of paintings at Oak Vino Wine Bar.

This is a man who has painted almost every day, ever since his teacher told him he was good at finger-painting. Stanley is 71 years old now, and had a career as a painter. “But I never became famous,” Stanley told me at his show’s opening. Stanley’s mantra was family first, and with several children in his family, that can keep someone comfortably quiet in their production.

To pay the bills, he was a full-time teacher. Teaching took him to different environments including a homeless shelter for teenagers at Harlem Hospital, schools for emotionally disturbed children, and a psychiatric facility, according to Alison Rooney’s article in the Highlands Current this weekend.

Stanley is mesmerized by color and texture and feelings. The physical act of painting seems to produce the synapses that inspire where his brush goes and how it explores, which was my impression after reading the Chronogram article that describes Stanley’s artistic style.

Currently, he is also inspired by the expansiveness he feels in his backyard overlooking the Hudson River. While speaking with me at his opening, I asked him if anything around him inspired him when he is away from painting. “The density,” he told me. Stanley lives along the Hudson River and gets to sit with the sunsets each afternoon into evening. “We are able to see so much more of the sky here than when we lived in Hoboken, N.J..” Stanley and his wife Helen moved to Beacon two years ago from their brownstone.

Stanley gets out to walk his little dogs - you might see him this winter with his big fur hat on. But he doesn’t get out to exhibit his work much. I’m now most curious about the other decades - decades! - of his work that he has rolled up in various storage facilities. You can see a few previous years of his paintings at his website. His paintings - select pieces from 2018 and not even all of them, will be hanging at Oak Vino through January and are for sale.

Glad to have him rooted in Beacon, and hanging on these walls.

Editorial Disclosure: We have worked with Stanley and Helen to help them complete Stanley’s website, via our design agency and parent company Katie James, Inc., as well as through our sister company Tin Shingle in consulting with them in how to get the word out. This article is one we wanted to bring to you regardless of the client connection, as we have gotten to know Stanley and Helen over the years in Beacon.